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Omah Lay Criticizes Afrobeats Division Among Big Three

by Yusuf Demilola
8 April 2026
Reading Time: 2 mins read
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Omah Lay Criticizes Afrobeats Division Among Big Three
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Afrobeats singer Omah Stanley Didia, popularly known as Omah Lay, has spoken candidly about divisions within Nigeria’s music industry. In an interview with American media outlet The Fader, he described the scene as largely split among supporters of Davido, Wizkid, and Burna Boy, often referred to as the “Afrobeats Big Three.”

Omah Lay revealed that he once unfollowed all three stars on social media because he disagreed with their approach to shaping the genre. “The Nigerian Afrobeats landscape is really divided. If you align with Davido, you’re on one side; if you align with Wizkid, you’re on the other,” he explained. He added that in 2024 he unfollowed Burna Boy, Wizkid, and Davido, believing they were promoting a style of Afrobeats that had become outdated.

Despite his criticism, Omah Lay acknowledged positive experiences working with one of the Big Three. He highlighted his collaboration with Davido on the track With You, describing the process as natural and rewarding. According to him, the partnership gave him a deeper appreciation for Davido’s character and professionalism.

Omah Lay also addressed perceptions of Davido within the industry. He noted that Davido often faces criticism because of his wealthy background, but insisted that the DMW leader has consistently demonstrated ambition and drive. “He has nothing to prove to anyone,” Omah Lay said, emphasizing that Davido’s determination sets him apart.

His comments reflect broader debates within Afrobeats about leadership, innovation, and the future direction of the genre. While Wizkid, Davido, and Burna Boy remain dominant figures, younger artists like Omah Lay are increasingly vocal about the need for fresh perspectives and evolving sounds.

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By challenging the influence of the Big Three, Omah Lay positions himself among a new generation of Afrobeats stars seeking to redefine the genre’s global identity. His remarks highlight both the tensions and opportunities within Nigeria’s vibrant music scene, where competition and collaboration continue to shape its growth.

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